该片以人民币为载体，从全新的角度，回顾和梳理了新中国的发展历程，见证了中国人民走过的财富之路。全片着力探讨了制度与规则的重要性、国富与民富、国家信用等重大问题，印证了人民币是家事更是国事，人民才是国家的根本。 　　第一集《走来的人民币》：回望人民币波澜壮阔的诞生历程，挖掘人民币与中国人民的命运、与国家命运的紧密联系。 　　第二集《计划的人民币》：战争的创伤尚未痊愈，浩浩荡荡的社会主义建设浪潮已接踵而至......大桥通车，卫星上天，而在一系列辉煌夺目的建设成就背后，货币的灵性光辉却逐渐湮灭，人们的自由被无情地剥夺...... 　　第三集《受困的人民币》：1978年对中国人来说是极为特殊的一年。这一年，计划经济体制的坚冰开始融化。有的人率先冲破体制束缚，有的人却因人民币的“不合时宜”的出现遭受无妄之灾，计划经济的惯性竟如此巨大… 　　第四集《会飞的人民币》：30年前，几个中国人在相同的年代做着相同的事情，他们普通到无人知晓，微小到无足轻重，他们在生存与毁灭间坚守自我，他们以执着谱写人性的本质，见证规律的回归。他们是亿万中国人，是你，是我，是他… 　　 　　第五集《守信的人民币》:从新中国诞生之前的苍茫岁月直至今时今日，每一张人民币，都仿佛是一份在人民与国家之间的特殊契约，承载着相互的信任与尊重......取信于民是货币的根本，也是执政的基石。

Five years after his first documentary, award-winning producer/director Torsten Hoffmann revisits Bitcoin and sets out to explore the evolution of the blockchain industry and its new promise. Can this technology, designed to operate independent of trust and within a decentralized network, really provide a robust alternative to the Internet as we know it?

本片追溯了从古代的物物交换社会到华尔街交易大厅的金钱历史，揭露中央银行以及上次金融危机中让世界陷入困境的不可靠金融参与者的做法。强调了政府对货币创造过程的影响，以及它是如何导致通货膨胀的。此外，影片解释了我们今天使用的大部分资金是由银行在创造债务时凭空创造出来的，并探讨了技术创新的模式，质疑你对金钱的一切认知。比特币是一种由债务支持的国家货币吗？比特币和加密货币是否会引发一场革命？这是罪犯的天赐之物吗？抑或是下一个即将破裂的泡沫？如果你信任你的钱，那么这部影片就是为你准备的。

Mía va a pedir trabajo como fotógrafa al estudio de Vic el mismo día que su pareja Ana le ha abandonado. Vic le propone a Mía que ocupe su puesto porque él decide irse para no volver en “mil días”. cuenta pequeñas historias de amor y desamor, en círculos concéntricos de espacio y tiempo, de diferentes personajes que transcurren en una ciudad de occidente en el siglo XXI durante estos mil días. 　　Mia is going to ask for a job as a photographer at Vic' studio the same day his girlfriend Ana leaves him. Vic proposes Mia to take his job because he has decided to go away for “one thousand days”. Circuit tells the stories of love and lack of affection, in concentric circles of space and time, of different characters which take place in an occidental city in the 21st century, during these thousand days.

Mía va a pedir trabajo como fotógrafa al estudio de Vic el mismo día que su pareja Ana le ha abandonado. Vic le propone a Mía que ocupe su puesto porque él decide irse para no volver en “mil días”. cuenta pequeñas historias de amor y desamor, en círculos concéntricos de espacio y tiempo, de diferentes personajes que transcurren en una ciudad de occidente en el siglo XXI durante estos mil días. 　　Mia is going to ask for a job as a photographer at Vic' studio the same day his girlfriend Ana leaves him. Vic proposes Mia to take his job because he has decided to go away for “one thousand days”. Circuit tells the stories of love and lack of affection, in concentric circles of space and time, of different characters which take place in an occidental city in the 21st century, during these thousand days.

BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。 　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail 　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969. 　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired. 　　特别收录 Special Feature 　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation 　　剧相馆 Photo gallery of behind-the-scenes stills

本片是以动画为呈现手法，实为书写给台北国际艺术村的一封动态信件。藉由糅杂不同驻村艺术家回馈的驻村感想并结合动画的流动性及延展性，艺术村从一个官方机构被变形为连接四面八方的桥，创造专属此地的时空经验。

多年来目睹一位朋友因性虐待引发创伤后应激障碍（PTSD），此后导演偶然结识了一位身为幸存者的摄影师 —— 对方的经历激励他决定拍摄这部电影。

A young Japanese actress remembers her war childhood in Korea. Her father goes to fight, her baby sister Miko dies of typhoid, her beloved Korean maid Ohana is fired due to a mistake which could cost Chiko her life... By and by Chiko realizes that the country is being ruled by the Japanese and the Koreans are persecuted. When the war ends, the Koreans chase the Japanese rule and the roles change. Now Chiko's family is unwanted. But then the Russians come and this is the end. They have to burn all the pictures to avoid all suspicions... even Miko's picture. But when the Russians come to their house, they decide to flee over the 38th Parallel towards freedom. A group of men, women, children struggles along the mountains, led by the light of the Northern Star. Along the way they meet a Korean man, who is willing to help them to escape the Russian soldiers although his family was killed by the Japanese.